Why is Abraham Lincoln Smiling?
Historically, the only time Abraham Lincoln smiled in public was when he was told he had won the Civil War.
We have Abraham Lincoln smiling at the historic Moline City Center on 5th. Avenue, and 16th. Street, Moline.
Tell us why you think he is smiling.
The best 12 entries will get a bottle of wine to share with your valentine.
In celebration of his birthday on Feb 12th. 2015
Email why you think he is smiling to: firstname.lastname@example.org
We will keep accepting your reasons till Feb. 13th. 2015
If you miss figuring out a reason this year, don't worry. You have a full year till his birthday next year.
The Phoenix Art Gallery
Together You and I can Stop Pollution: Conservation is Freedom*
This title of the show/exhibit is a quote from the work of Kenyan National Artist: Ben Njuana.
The Artists' voice on conservation:
Lori Anne Davis
Women in Society: Veena Singh
November 15th. 2013"We Are Ghosts" Art Installation by Todd Leisek.
The opening night Vernissage is on November 15th. 2013.
6:00 to 9:00 p.m.
Open to all.
The artist will be present.
About the installation and the artist:
This large installation is a communication and an interaction between what my family’s identity, ethnicity and past has faced through the years. Behind closed doors an individual hides their own identity and reality. By breaking down these “doors” and “walls,” our identities can be slightly revealed and displaced by reflections of light upon the exhibition wall. In this installation, I concentrate on drawing upon the simple concepts of the breakdown of these doorways and walls through looking through broken glass, doors and walls taken from dismantled homes. This piece is the past as well as the presentas it confronts some of the conflicts of tribal identity in the United States. Four doorways will be presented in the act of breaking a part with only the shards of clear glass to bind them together and the holding together of the walls will display the reflection of a past identity of a mixed tribal past. The installation is a chance to speak without words through the materials and the photographs hidden in the cracks of the walls. I am mixed of Potawatomi, Sac/Fox and Cherokee. Since I am of mixed tribal generation, where do I fit in with the world or how does my family (ancestors) fit in? We roam as “ghosts” blending in from one subculture to the next recreating ourselves over and over without stepping through to connect with our tribal roots or ancestral traditions. There are thousands of usstill roaming the United States displaced.
My artwork (installations) is based from sensory experiences (sounds, sights, smells and dreams) from the memories of my childhood experiences and the stories of family members longpast. Throughout my experience as an artist; I have concentrated on these sparks of memory which are drawn fromnature (landscape), dreams of my past, and the faded memories. In creating these abstract sculptural pieces, I’m attempting to bring back these recollections into a form of narrative orconceptual scene into the public space. By changing the landscape (public space), I draw the viewers into my art installations to bring their own sensory experiences into theartwork. These sensory experiences are connected to the material I use in my artwork (Ceramics, Wood, and stain). I hope that these pieces display the uncomfortable feeling of distance of Native American authenticity and the reconnection of my families lost mixed of Otoe and Osage/Pottawattamiepast. It is important that my artwork does not relate directly to a “Native American” background, yet an element of these memories, love and loss which was influenced by my ancestorspast.
To present a loose form of this narrative in my art installations is an important element to address in the conditions of the Post-Native American identity. The traditions of the storyteller in my family today are dependent upon me to retell them in a modern relation of the struggles we face for a place (or voice) in this world. We all have memories and past experiences which we cannot completely explain, yet subconsciously influence our lives.
I was born in Ogden, UT as Todd Woodmansee, yet grew up with a very collect a diverse step family in Lodi, CA. My first studies in Fine Arts started in San Francisco where I spent the first 4 years at San Francisco State University for my BA, which was dual emphasize in Art History and Fine Arts. I stayed for additional 3 years teaching for private art/music schools within the Bay Area, traveling around performing and producing artwork in California. In 2003, I received an invitation to study at University of Wisconsin-Superior for a MA in Studio Art in sculpture and ceramics. In addition, Ihad a opportunity to perform with the University Orchestra and Brazilian Guitar Ensemble to perform in Rio de Janiero, Brazil. After my graduation from UWS in 2006 with a MA, I moved from the cold frigid North to the Quad Cities, IL. For the past few years, I received an invitation for the MFA program at Vermont College Fine Arts in Contemporary theories and Art Installation which I recently graduated in 2013.
I have worked for private and public art/music schools and Higher Education at both the Community and State University levels for about 9 years and 3 years as an online instructor. I have taught art history/appreciation from 1300 to 21st Contemporary Art, Art Theory, Sculpture/Ceramics, music orchestration, and guitar performance.
VERNISSAGE PRE-OPENING ART EVENT February 15th. 2013.
for the Art of
at The PHOENIX ART GALLERY: The Art of the American Midwest
6.00 p.m. Till 9.00 p.m.
1530 Fifth Avenue.
Bill Marsoun exhibit at the Phoenix Art Gallery is from February 16th. 2013 till April 26th. 2013.